15th-century European sacred music was dominated by Latin polyphony, marking a transition from late Medieval to Renaissance styles. Key forms included the cyclic Mass (such as those by Guillaume Du Fay) and the motet, which utilized interwoven vocal lines. These compositions often incorporated Gregorian chant as a foundation, shifting toward more complex, expressive four-part textures, commonly used in court chapels and churches.
Franco-Flemish composer Johannes Ockeghem (ca. 1410-1497) leading a group of singers
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