The iUniversity

Section Two

Ragas of North India

A raga (or raag) is a melodic framework in North Indian (Hindustani) classical music used for composition and improvisation. Derived from the Sanskrit word for color or mood, it is not a fixed song, but rather a set of rules—specific notes, ascending/descending paths, and emotional characteristics—that serve as a blueprint for a musician’s performance.

Learn about ragas on Musical Kaleidoscope ->

Begum Parveen Sultana - Khayal Vocalist at the Darbar Festival in the Phoenix Theatre in Leicester

Raga

“The study of the melodic tradition of North Indian classical music, called raga, is a primary educational necessity for 21st century musicians and composers” – Don Robertson

Raga is a melodic concept almost completely unknown in our culture. A raga is a blueprint for composing and improvising melody. The best way that I know how to describe what a raga is to Western musicians is to equate it to the “blues”. To learn to play or sing the blues, a musician or singer not only learns a scale, because there is much more to singing or playing the blues. For example, there are the blues form, a twelve-bar repeating pattern of chords, embellishment notes, and riffs. One learns blues by listening to great blues recordings. The same is true for learning ragas. Learning a single raga is like learning the blues. But once you know that raga, like knowing the various possibilities of the blues, you will be able to sing or play it, and you will reconize it when singers and musicians from India are performing it. (Don Robertson)

Lakshan Geet (student song) in Raga Darbari Kanada - Asthai
The Song "Katina Dhuka Payo" in Raga Kausi Kanada

 I will be introducing various ragas from North Indian classical music for composers and musicians to study:

Morning Ragas 

Ragas Bharavi, Bhairav, Bilaskhani Todi, Komel Re Asawari, and Suha Kanada

Afternoon Ragas  

Ragas Brindavani Sarang, Desh, Miya Ki Mahlar, and Sughrai Kanada

Evening Ragas 

Ragas Bageshri, Yaman Kalyan, Bhupali, and Kedar

Night Ragas  

Ragas Malkauns, Kausi Kanada, Darbari Kanada, and Adana

Listen to an Example of Each Raga: 

Morning Ragas

Afternoon Ragas

Evening Ragas

Night Ragas

Raga Studies

RS-0001 – The Morning (250 pages)

RS-0002 – The Afternoon

RS-0003 – The Night (370 pages)

RS-0004 – The Kanada Ragas

RS-0005 – The Seasonal Ragas (138 Pages)

RS-0006 – Pentatonic Ragas (160 pages)

About Scrutis

In North Indian (Hindustani) classical music, shruti refers to the smallest microtonal interval of pitch that the human ear can detect and a musician can produce. While the Western music scale divides an octave into 12 equal semitones, the traditional Indian musical system theoretically divides the same octave into 22 shrutis. Swara is the broader, macro-note (like Sa, Re, Ga, Ma) used to build melodies. While there are 22 shrutis, a swara is a specific point along that 22-shruti spectrum.

Long-Playing Record Albums – Vocal Music

Pandit Omkarnath Thakur
Side Two – Raga Malkauns

Dagar Brothers (Elder)
Raga Darbari Kanada & Adana

Thumriyan is an album of thumri performances by six female singers. 

Songs by the important Kirana-vocal-gharana singer Abdul Karim Khan

Ragas yaman and Bairagi-Bhairav sung by Niaz Ahmed & Fayyaz Ahmed Khan

Ragas Ramkali and Bageshri sung by Hirabai Barodekar.

D. V. Paluskar sings bhajans and Raga Shri. He died in 1955 at age 34.

The famous singer Ustad Amir Khan sings ragas Megh and Lalit.

Videos

Raga Darbari Kanada

Raga Darbari Kanada (often referred to simply as Darbari) is one of the most majestic and profound ragas in Hindustani classical music. Traditionally believed to have been created in the 16th century by the legendary court musician Miyan Tansen to soothe the Mughal Emperor Akbar, its slow, resonant phrasing evokes a deep, meditative, and regal atmosphere. Known as the “Emperor of Ragas”, Darbari is characterized by deep poignancy, majesty, and vairagya (detachment). It evokes feelings of profound solemnity and mystical devotion.

Ameer Khan
Side Two – Raga Darbari Kanada

Nazakat Ali and Salamat Ali (The Ali Brothers)
Side One – Raga Darbari Kanada

Learn more about Raga Darbari Kanada
on Musical Kaleidoscope – – >

Pandit Rajan Mishra and Pandit Sajan Mishra

Pandit Rajan Mishra and Pandit Sajan Mishra were acclaimed brother-duo vocalists of the Khyal style in Hindustani classical music. They represented a 300-year-old musical lineage belonging to the prestigious Banaras Gharana. Regarded as titans of Indian classical music, they were jointly awarded the Padma Bhushan (one of India’s highest civilian awards) in 2007. The elder brother, Pandit Rajan Mishra, passed away in 2021.

Ustad Ali Akbar Khan

I began studying with Ustad Ali Akbar Khan in December, 1967. There is no way that I can convey what it was like being with him, listening to his stories, and most importantly, listening him playing the sarod. It was one of the great experiences of my life. (Don Robertson)

Concert with Ustad Ali Akbar Khan in 1967

Ustad Ali Akbar Khan Documentary