Music: State of the Art

By Don Robertson (2001)

     The whole purpose of Mary Ellen and my DoveSong.com web site has been for me to share my ideas about music with others. The advent of the World Wide Web in the mid-1990s was a monumental occasion for me, and it was with great anticipation that Mary Ellen and I launched DoveSong.com in 1997. The web was finally offering me a platform from which I could make my message available on millions of desktops located all over the world. DoveSong was now just “one click away.”
      With the advent of the mp3-encoding technology, we accomplished another great step, when in 2000 we were able to begin placing actual recordings of music on the site for anyone to download. I received countless complements, thanks, and support from people in India thanking me for making Indian classical-music masterworks available again, as, according to them, they had not been available for them, and from many musicians and pastors thanking me for the rare gospel recordings that we were making available.
     Why do I spend so much of my personal time and money giving away music and teachings about music? For one thing, I really believe in what I am doing. In fact, I have been involved in this mission for over thirty years, and I know what I am doing. And I know that I am making a difference and will continue to make a difference long after my earthly existence has faded away.
     Music has always had such a major place in my life. When I was just three-years old, I listened to my 78 RPM recordings of Beethoven’s Fifth Symphony, Brahms Hungarian Dances, and music from Delibes’ Coppélia over and over again. Music spoke to my soul, my essence. As a young boy in grammar school, when the kids were at recess on the playground, I would go off by myself to compose orchestral and operatic music in my head. By the time I was in the fifth grade, I had discovered the popular music of the early 1950s and my favorite compositions, such as those by Leroy Anderson, were like winged angels bringing healing to my being.
     Over the span of my life, I have discovered so much great music…music that sings with a lofty beauty, that ennobles the soul, that breathes a rapture and a goodness…music that adds so much value to life…music that lives and loves. I have collected this music over the years, caring for it, tending it, knowing that one-day that I would somehow make it available to others. 

The Dark Side

     But there was a period in my life when I found myself following the dark side of music. I didn’t know it was the dark side…I didn’t even know that there was a dark side to music. In 1965, I became curious, then interested, and finally addicted to what was then called Contemporary Classical Music. This was the music of Arnold Schönberg, Anton Webern, John Cage, and Pierre Boulez among others. It was discordant, intellectual music. By 1968, I was studying with contemporary composer Morton Feldman, writing discordant music, and playing angry, discordant atonal guitar leads in a rock band that I had formed. When I played with this group, I didn’t bother to tune my instrument at all because by leaving it untuned, I could create violent, ugly discords. Also, I played guitar leads by plucking the strings, then by slowly changing the tuning knobs at the end of the neck, I would create long hellish solos that had no exact pitch. My music was loud, belligerent and atonal, and it shocked every single person who heard it.
     However, I soon discovered what I called the duochord, and this caused me to realize that I was playing negative music. In 1969 I recorded my Album Dawn to present my discovery of positive and negative music in a musical format.
     Immediately after finishing the album, I went to Mexico to live for six months and there I took advantage of my time away from the music scene in the United States to clear my mind and to release myself from my addiction to negative music.

The Light Side

     In the following decade, I concentrated on learning more about positive music. In fact, I spent ten years of my free time in study, meditation, and listening to positive music. Then in 1979, I began performing publicly, and I recorded my album Celestial Ascent. I also began speaking publicly about positive and negative music.
     My message of positive and negative music has been difficult for me to get across to people over the years. Not many understand that it is the music itself that I am talking about, not just the words, and that music has a definite effect upon living things. Meanwhile, I have watched the state of music in the world plummet. I had already had my excursion into negative music. Mine lasted several years. Now I was witnessing a long, slow decay of music in the world around me, and people seemed to be unaware of it.
     Music is an art. It is a very special and very sacred art. Being as aware of this as I am, it is highly disturbing to experience the place that music holds in the world. What I would do if I could only help people experience the kind of feelings that I experience when I listen to music! How painful it is for me when I talk with young people today who are convinced that minimalism is something to be taken seriously, or that John Cage’s music is actually worth listening to. How sad it is for me to see young people in their teens, twenties, thirties and even forties who listen adoringly to totally inferior music, garbage, if you will, and believe that they have somehow discovered the Holy Grail! How amazed I am when I talk to people who somehow believe that musicians smashing their instruments on stage is a normal and enjoyable part of a musical experience!
     Yes, I realize that not all contemporary popular music is bad. I hope my readers realize that I am not on a campaign against contemporary music! I’m not. The only thing I am trying to get across in an essay such is this is my viewpoint, and how I experience music. I am not trying to stop any kind of music, I am not fighting it, nor am I even challenging it. Instead, I want to say: “There is more… much, much more.”
     The other day, a younger friend of mine who has always been wrapped up in pop music asked me if I liked Bob Marley.

     “Sure, he is OK,” I said.

     “OK?” he retorted. “He’s GREAT”.

      “No, Beethoven is great. Bob Marley is OK,” I answered

     I was trying to make a point. My friend had been listening to me preach Victoria, Franck, Wagner, Palestrina, Beethoven, and Bach for fifteen years, and yet somehow, he had never gotten it. To me, one good experience with Wotan’s Farewell from the end of Die Walküre, and this, and other music like it, would become one’s music of preference. After an experience such as this, one would discover that Madonna, Britney Spears, and U-2 just don’t deliver that much.
     So yes, my heart aches as I watch the young people around me who are absorbed in the pop culture, be it that of the 1970s, the 1980s, the 1990s, or whatever is au couran, and have never truly experienced the great works of musical art. Instead, it’s Fionia Apple, the Cowboy Junkies, the Cranberries, Shania Twain, or what-have-you.
     It is time to understand, to teach, to finance, and to reform the Art of Music. It’s time to understand that Jimi Hendrix was not a God and that music wasn’t born with Led Zeppelin and John Cage. A change is in order. It is possible, and it will occur. But it will take dedication, time and money to make it happen.

Music is Food

     Music is like food. In fact, it is food. We have spawned a culture of young people who think good food is available at McDonalds, Pizza Hut, and in sports bars. As I travel across the face of America, each town that I drive into presents the same tired restaurants, all owned by a handful of mega-conglomerates, all serving the same dreary, tired, fried garbage, and we, as a people, have grown accustomed to this, just as we have grown accustomed to the music that we have grown up with: the music from the radio and on TV…the music we buy at Wal-Mart and the friendly little record store (another conglomerate) in the local shopping mall.
     The truth is that we can only grow personally by moving away from the influence of the mass mind. Are the movies that we watch really that funny, that inspiring, that fulfilling? Are we really eating good food, or just crappy food that we have become accustomed to, or even addicted to? And the music…what about the music?
     Perhaps it is time to listen to a different drummer! And for those who have already listened, it is up to us to help those around us who are ready and willing to listen. I realize that not everyone is ready. But for music to succeed as an art, for the Great and the Positive to flourish, those who understand must help promote and teach it! If it can only be found on a few obscure web sites, or on a few “special order” CDs, and it is not recognized otherwise, then the overbearing influence of the music that is on TV and the radio will be all that most people will hear or know about.
     I ask you: please take into consideration what I am saying. I am not a fanatic, nor am I unaware. I have walked many roads to find this one that is less traveled, and I invite each one of you to make the trip with me.