World Four: 18th Century
       Classes


                        

18th-Century Classes

London Music under the Shadow of Handel


Acciaccature and Mordenti According to Gasparini


Classical Music Instruments of the 18th Century


Classical Music Instruments of the Baroque


Rome, Corelli and Geminiani


The Challenge of the Solo: The Baroque Violin


Mozart's Oboe Quartet in F Major, K 370


Delalande - Les grands Motets pour Versailles

J. S. Bach Classes

J. S. Bach's Magnificat (Keeping it Short)


Glenn Gould Discusses the Art of the Fugue


Analyses de J.S. Bach Fugue en F# mineur


J.S. Bach - The Eighteen Organ Chorale Preludes

J.S. Bach Classes - Richard Atkinson

Complex Counterpoint in Bachís Cantata No. 80


Bachís C# Minor Fugue - WTC Book I


Bachís D Major Fugue Ė WTC Book II


Bachís D# Minor Fugue - WTC Book I


Bachís C# Major Fugue - WTC Book II


Counterpoint in Bach's Cantata 77

Haydn and Mozart Classes - Richard Atkinson

Major- and Minor-Mode Shifts


Three Extended Canonic Passages

Joseph Haydn Classes - Richard Atkinson

Haydnís Use of Monothematic Sonata Form


Woodwinds in the Late Haydn Symphonies


Bariolage & Haydnís Frog Quartet (Op. 50, No. 6)


Rhythmic Ingenuity in Haydn Symphonies

W. A. Mozart Classes - Richard Atkinson

The Finale in Mozartís Linz Symphony


Examples of Neapolitan Chords from Mozart


The Fugal Finale of Mozart's G Major Quartet


The Finale of Mozartís Quartet in F Major


Invertible Counterpoint - D Major String Quintet


Counterpoint in the Jupiter Symphony


Mozartís Canon for Four Voices in C Major


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