Repertoire
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Western Classical Eastern Classical American Traditional

Music For Orchestra & Choir

Composer Composition & Score Wikipedia YouTube Links
Bach, J.Christian Kyrie in D Major
Bach, J.Christian Magnificat
Bach, Johann Sebastian Mass In B Minor BWV 232 Mass in B Minor Watch
Bach, Johann Sebastian Mass In F Major BWV 233 Bach Masses
Bach, Johann Sebastian Mass In A Major BWV 234 Bach Masses
Bach, Johann Sebastian Mass In G Minor BWV 235 Bach Masses
Bach, Johann Sebastian Mass In G Major BWV 236 Bach Masses
Bach, Johann Sebastian Sanctus BWV 238
Bach, Johann Sebastian Saint Matthew Passion Saint Matthew Passion
Bach, Johann Sebastian Cantata No. 1 Cantata No. 1 Listen Discussion
Bach, Johann Sebastian Cantata No. 4 Cantata No. 4 Listen Discussion
Bach, Johann Sebastian Cantata No. 56 Cantata No. 56 Listen Discussion
Bach, Johann Sebastian Cantata No. 71 Cantata No. 71 Watch Discussion
Bach, Johann Sebastian Cantata No. 78 Cantata No. 78 Listen Discussion
Bach, Johann Sebastian Cantata No. 82 Cantata No. 82 Watch Discussion
Bach, Johann Sebastian Cantata No. 106 Cantata No. 106 Discussion
Bach, Johann Sebastian Cantata No. 140 Cantata No. 140 Listen Discussion
Bach, Johann Sebastian Cantata No. 147 Cantata No. 147 Watch Discussion
Beethoven, Ludwig Mass in C Major Mass in C Major
Beethoven, Ludwig Mass in D Major Mass in D Major
Beethoven, Ludwig Choral Fantasy Choral Fantasy
Borodin, Alexander Polovtsian Dances Polovtsian Dances Watch
Brahms, Johannes Ein Deutsches Requiem (1 and 2) Ein Deutsches Requiem  
Bruckner, Anton Mass No. 3 Bruckner Mass 3
Buxtehude, Dieterich Membra Jesu Nostri Membra Jesu Nostri
Campra, André Requiem
Campra, André Benedictus Dominus
Campra, André De Profundis
Campra, André Notus In Judea Deus
Cavalli, Francesco Nisi Dominus
Cavalli, Francesco Magnificat
Cavalli, Francesco Laudate Dominum a 8
Cazzati, Maurizio Magnificat
Cazzati, Maurizio Vespers of Saint Andrea Spotify
Cazzati, Maurizio Messa a 4
Cavalieri, Emilio_de' Lamentations
Colonna, Giovanni Paolo Mass for two Choirs and Instruments About
Colonna, Giovanni Paolo Mass for 9 voices and Instruments Listen About
Colonna, Giovanni Paolo Vespers Web
Debussy, Claude La damoiselle élue
Duruflé, Maurice Requiem Requiem_(Duruflé)
Duruflé, Maurice Messe Cum jubilo Op. 11
Dvořák, Antonín Stabat Mater Op. 58 Stabat Mater
Dvořák, Antonín Mass in D major, Op.86
Faure, Gabrielle Requiem Requiem
Franck, César Messe à trois voix
Franck, César Les Béatitudes Les Béatitudes Playlist Spotify
Franck, César Rédemption Spotify
Franck, César Rebecca
Franck, César Psyché
Gabrieli, Giovanni In Ecclesiis In Ecclesiis
Handel, George Frideric Messiah Messiah_(Handel)
Handel, George Frideric Chandos Anthem No. 1 - O be joyful, HWV 246 Handel_at_Cannons
Lotti, Antonio Mass in E for Three Choirs
Monteverdi, Claudio 8th Book of Madrigals
Monteverdi, Claudio 1610 Vespers Vespro_della_Beata_Vergine
Monteverdi, Claudio Beatus Vir
Mozart, W. Amadeus Missa in C, KV 167 Jupiter Symphony
Mozart, W. Amadeus Vesperae KV 339 Jupiter Symphony
Orff, Carl Carmina Burana (1-10)
Perti, Giacomo Antonio Magnificat
Perti, Giacomo Antonio Mass a 5
Pergolesi, Giovanni Stabat Mater
Rachmaninoff, Sergei The Bells
Ravel, Maurice Daphnis et Chloé Daphnis et Chloé
Ropartz, Joseph Guy Symphony No. 3 Listen
Ropartz, Joseph Guy The Miracle of Saint Nicolas
Ropartz, Joseph Guy Nocturne (1926)
Ropartz, Joseph Guy Psalm 129
Ropartz, Joseph Guy Psalm 136
Ropartz, Joseph Guy Requiem Video
Ropartz, Joseph Guy Dimanche
Ropartz, Joseph Guy Les Vepres sonnent
Rutter, John I Will Lift Up My Eyes
Rutter, John What Sweeter Music
Rutter, John Requiem Requiem (Rutter)
Rutter, John Angel's Carol
Rutter, John All Things Bright and Beautiful All_Things_Bright_And_Beautiful
Rutter, John The Lord Bless You and Keep You
Rutter, John For the Beauty of the Earth For_the_Beauty_of_the_Earth
Schoenberg, Arnold Gurrelieder Gurrelieder
Schubert, Franz Mass No. 2 in G Minor Mass_No._2_(Schubert)
Schubert, Franz Mass No. 5 in Ab Messe_n°5_(Schubert)
Schubert, Franz Mass No. 6 in Eb
Scriabin, Alexander Symphony No. 1 Symphony No. 1 Playlist
Viadana, Lodovico Requiem
Viadana, Lodovico Vespers for Four Choirs

European Classical Music

Don Robertson (February 1, 2012)

The lists of music recommendations that I am providing on this and the other pages of Musical Kaleidoscope are the result of research that I began in 1969 after realizing that at the beginning of the 20th century, the harmonic structure of our classical music had begun changing from one that was concord-based to one that was based on discords, and that a new music was then emerging that would soon provide the background for the destructive exploitation that took place during the 20th century, creating conditions that are now widely recognized as extremely dangerous: atomic energy, deadly missiles, poisoned food and water, mass brainwashing, financial disaster, and the destruction of natural habitant and the climate. I believe that all of this was clearly forecast in such early 20th-century music compositions as Anton Webern's Six Pieces for Orchestra, composed in 1909: music that is filled with foreboding and the cold metallic energy of the coming century; music based on the square of materialism instead of the triangle of harmony.

In 1969, I began what I now call "Don Robertson's Music Revolution." This revolution, which I formally set in motion on February 1, 2012, is about returning to the harmonic principles of nature - shifting from the discordant music created during the 20th century to the concord and pure harmony that exists in all traditional music, including pre-20th-century European classical music. During that year, I began a very thorough study of music to determine which music compositions, in my opinion, had true greatness, according to the music's inherent spiritual and/or emotional relevance. I am still working on this study today. The page above contains one of the lists that is a result of my study. I will continue to add music to this list as I discover it. This work is the result of over 42 years of intense research and consists of my recommendations of music for orchestra conductors to program, radio programmers to broadcast, students to study, musicians to play or sing, and for everyone to enjoy.

The list on this page is highly controversial because its contents run against the grain of what most musicologists, writers, and classically trained musicians and academics consider the "20th-century masterworks" (and I have studied and listened to them all for many years and know them well). Instead you will find works by composers who have been completely ignored, like the great 16th-century composer Tomas Luis de Victoria and the 20th-century composer Joseph-Guy Ropartz, and works by composers like Richard Wagner, Cesar Franck, and Jean Sibelius, who have been reviled and discredited by so many writers and academics throughout the 20th century.

For further clarification, I offer three articles that I wrote in years past that express what I am saying here in more detail:

Nero Fiddles While Rome Burns: A Cold Saturday Night in Nashville with Hilary Hahn

Guy Ropartz: A Truly Forgotten Great Composer

The Classical Music of the 21st Century (pdf)

Additionally, the chapters on 20th Century and 21st Century classical music from my book "Music Through the Centuries" are available to read for free, online.

I also recommend reading "Harmony" by the Prince Charles, the Prince of Wales (You can read Chapter One here for free). The book is available on Amazon: (Hardcover) (Audio) (Children's Edition) and (Kindle).

I believe that Prince Charles' book on harmony provides an important wake-up call for the 21st century.

Life on Planet Earth is quickly changing. Climate change is already transforming our lives as the ice caps continue to melt, and now the permafrost is melting also, releasing dangerous levels of methane gas in the process. There is no reason to live in denial; personal choice is now required. As Bob Dylan so aptly put it: "He not busy being born is busy dying." But before real change on a large scale can take place, we must first CHANGE THE MUSIC, which, because of its property of resonance, has a powerful influence on all of us! Every day, negative music fills our TV channels, radios, films, and provides the underlying energy for a large number of commercials. It is effecting us in powerful ways, more than many of us realize!

Don Robertson's Music Revolution is about choices: taking a part in bringing great music back into our concert halls, the "air waves," malls, restaurants, and most importantly, into our schools. The music listed in the Repertoire Section of Musical Kaleidoscope is where I recommend we begin.

And last, but not least, I recommend my new book called "The Scale." It clearly explains the true harmonic value of music. It is my handbook for the Music Revolution.

Please remember that revolutions may have leaders, and they may have pioneers, but they are the product of like-minded people, working together .... in harmony.

Don Robertson (www.DonRobertsonMusic.com)
February 1, 2012

An Important Statement from Britain's Prince Charles

"Today music, like everything else, has been subjected to the influence of 20th-century thinking. Modernism pervades music as much as it does everything else. It is perhaps more than coincidence that just as the 20th-century ideology of Modernism began to seep away so much traditional thinking in art and architecture, so the likes of Schoenberg and his Second Viennese School began pioneering the idea in music of abandoning traditional tonal harmony, creating instead an 'atonal' approach to musical structure - that is, a system of notes where there is no controlling primary foundation tone or key. Many composers followed suit and produced some very interesting and moving pieces of music but inevitably their efforts led to more and more extremes of experimentation, particularly in the 1960s and 1970s. Composers like Stockhausen and the Darmstadt School, for example, produced music that is so unmelodic and so intellectually taxing, that it remains completely incomprehensible to the majority of people. Like much of the cutting-edge architecture of the time, it is 'clever.' It tends to appeal to the head and, more often than not, only the cleverest of heads, so it carries with every dissonant turn it takes the implication that we have to be just as clever as its composer to understand it. This is an idea entirely at odds with the root chord of the tradition approach to harmony, which recognizes that we do not 'think' music, we resonate with it and 'feel' it."

(From "Harmony" by Prince Charles, Page 100)

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